Dropping wells
UD has mentioned again the 'color fountain' that seems to have been a religious or cultural focus for humans of the Neanderthal tribe. On the previous mention I connected the material of red ochre with its
long religious and cultural significance.
This time the 'color fountain' reminded me of something else. The Dropping Well of Harrogate, which was beautifully dramatized by
Hix in 1940.
An
older reference to the well leads into a specific religious and cultural connection that didn't seem important when I had discussed the well before.
In 2017 the well's petrification talents seemed more important. Now the colors seem more important.
The first in importance is the Harrogate Dropping Well, the most remarkable spring known in Great Britain. Situated in what is known as the Long Walk, and close to a part of the river's course where the intermixed charms of rock, wood, and water, combine to render the scene one of great beauty, the tourist whilst wending his way to this noted spring, enjoy that sequestration and repose which, according to local tradition, proved so fascinating to that celebrated Yorkshire sibyl, Mother Shipton.
Mother Shipton is reported to have been born near the Dropping Well in July, 1488, and here is still shown the cave in which she is said to have worked her charms, composed her rhymes, divined her mysterious prophecies, and told credulouis folk their fortunes.
Here's a strongly written biography of Mother Shipton.
When Nature displays beauty that seems to have significance, humans will always try to read it and seek its advice, directly or through a paid translator.
Beacons are crucial in
crazy times like 1488 and 2021, when imbecilic insane demonic rulers smash civilizations for their own perverse pleasure. Some seek
beacons in the stars, others seek
geological beacons.
Labels: 2000=1000, Equipoise, Metrology