While we are discussing intolerance," I suggested deferentially, "don't you think that the objection you expressed in a recent lecture to the broadcasting of dance music represents the very intolerance that you condemn? If the public want to hear dance music... "Constant: Experts are tyrants who break their own rules. Always the same.
"Exactly," interjected the Professor, "if, as you say, the public want to hear dance music. It is just a case of that. I don't believe there is any native desire on the part of people to listen to stupid words and trivial wailings; they have been conditioned to 'enjoy' this artificial rubbish by the people who profit from its production. Broadcasting and the other mediums of entertainment do not cater for a pre-existing taste; they create that taste."
"But if," I objected, "as I'm sure you'll agree, the deliberate imposition of absolute standards is a form of tyranny, the treatment of dance music as an inferior thing is only an opinion, and who can say that dance music really is worthless?"Here C E M Joad simply shows C E M Joad's own abject ignorance of music and culture. The pieces we now consider classics were mostly written as routine dance or theater pieces, not intended to be "classics" that would last forever. Bach and Purcell wrote music in assembly-line style. Bach had a full-fledged music factory with his dozens of sons and daughters all slaving away. Most of Purcell's work was done for the equivalent of movies and Broadway.
"I think the first guarantee of quality is that a work of art survives for two or three hundred years; and while the music of Bach and Purcell for example, falls into this category, it cannot be said that any of your ordinary dance tunes last the same number of hours."
Labels: #bluelivesmatter, Answered better than asked, Constants and Variables
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